Rawkblog turned 8 yesterday. Here’s the best thing I’ve ever done on it, my top 100 albums of the 2000s.

Rawkblog turned 8 yesterday. Here’s the best thing I’ve ever done on it, my top 100 albums of the 2000s.

On Rawkblog, a few bands to watch in 2013, including LA Font (pictured), Haim, The Staves, Mount Moriah and more, plus a Spotify playlist. 

On Rawkblog, a few bands to watch in 2013, including LA Font (pictured), Haim, The Staves, Mount Moriah and more, plus a Spotify playlist. 

Live: Grizzly Bear at the Greek Theatre, 10.10.12

It was a great relief that there were no numbers involved in their Wednesday night performance, only the intricate mathematics of the group’s powerful musicianship. Their 90+ minute set drew from each of the last three albums, including this year’s excellent Shields, though Yellow House — the album capturing them at their most ghostly and gauzy — received the most love. Opening duet “Speak in Rounds” allowed co-frontmen Ed Droste and Dan Rossen the chance to present themselves as compelling equals; the wonder of Grizzly Bear lies in the way each member’s strengths pushes the whole to dizzying heights. Both Droste and Rossen sing with a sense of deep feeling, Rossen with a craggy sobriety and Droste, the more dynamic vocalist, allowing his throat to burn with melodrama; they never sound richer than when they’re joined by their band mates in full-on choir mode, their harmonies flying out above the trees.

Live: Grizzly Bear at the Greek Theatre, 10.10.12

It was a great relief that there were no numbers involved in their Wednesday night performance, only the intricate mathematics of the group’s powerful musicianship. Their 90+ minute set drew from each of the last three albums, including this year’s excellent Shields, though Yellow House — the album capturing them at their most ghostly and gauzy — received the most love. Opening duet “Speak in Rounds” allowed co-frontmen Ed Droste and Dan Rossen the chance to present themselves as compelling equals; the wonder of Grizzly Bear lies in the way each member’s strengths pushes the whole to dizzying heights. Both Droste and Rossen sing with a sense of deep feeling, Rossen with a craggy sobriety and Droste, the more dynamic vocalist, allowing his throat to burn with melodrama; they never sound richer than when they’re joined by their band mates in full-on choir mode, their harmonies flying out above the trees.

My photos from Brokechella are up on Rawkblog. They came out nice, I think. 

My photos from Brokechella are up on Rawkblog. They came out nice, I think. 

Rawkblog and TwentyFourBit’s second annual day party happened at last yesterday and it was a huge success. (And after months of planning, a big relief.) More hi-res photos on Rawkblog.

Meet the new Rawkblog

I did the entire redesign myself. Took me all week. Might make a few more tweaks, but it’s close enough. What do you think?

Sneak preview.

Sneak preview.

Ryan Adams at Disney Hall

If you’ve been following my recent Ryan coverage, it goes without saying that the performance was excellent, a demonstration of how a singular voice and a few thoughtfully strummed chords can bring a room to a hush. To see this happen in the cathedral-sized spread of Disney Hall was a considerable coup for Adams, who seems to have finally turned the corner on a career dogged by confused critics and a fickle fanbase. He was comfortable enough to baffle Friday’s audience with an opening set from Val Kilmer, whose identity remained a mystery behind a Mark Twain costume until an announcer gave it away once he’d left the stage.

More on Rawkblog.